The Schoolmaster [Anton Chekhov] (fb2) читать постранично, страница - 3

restrain his rapid breathing and spoke quickly in a shaking voice, and there was a note of unaffected sincerity and childish alarm in his voice. As people always do who are frightened and overwhelmed, he spoke in brief, jerky sentences and uttered a great many unnecessary, irrelevant words.

"I was afraid I might not find you in," he went on. "I was in a perfect agony as I drove here. Put on your things and let us go, for God's sake…. This is how it happened. Alexandr Semyonovitch Paptchinsky, whom you know, came to see me…. We talked a little and then we sat down to tea; suddenly my wife cried out, clutched at her heart, and fell back on her chair. We carried her to bed and …and I rubbed her forehead with ammonia and sprinkled her with water … she lay as though she were dead…. I am afraid it is aneurism … . Come along … her father died of aneurism."

Kirilov listened and said nothing, as though he did not understand Russian.

When Abogin mentioned again Paptchinsky and his wife's father and once more began feeling in the dark for his hand the doctor shook his head and said apathetically, dragging out each word:

"Excuse me, I cannot come … my son died … five minutes ago!"

"Is it possible!" whispered Abogin, stepping back a pace. "My God, at what an unlucky moment I have come! A wonderfully unhappy day … wonderfully. What a coincidence…. It's as though it were on purpose!"

Abogin took hold of the door–handle and bowed his head. He was evidently hesitating and did not know what to do—whether to go away or to continue entreating the doctor.

"Listen," he said fervently, catching hold of Kirilov's sleeve. "I well understand your position! God is my witness that I am ashamed of attempting at such a moment to intrude on your attention, but what am I to do? Only think, to whom can I go? There is no other doctor here, you know. For God's sake come! I am not asking you for myself…. I am not the patient!"

A silence followed. Kirilov turned his back on Abogin, stood still a moment, and slowly walked into the drawing–room. Judging from his unsteady, mechanical step, from the attention with which he set straight the fluffy shade on the unlighted lamp in the drawing–room and glanced into a thick book lying on the table, at that instant he had no intention, no desire, was thinking of nothing and most likely did not remember that there was a stranger in the entry. The twilight and stillness of the drawing–room seemed to increase his numbness. Going out of the drawing–room into his study he raised his right foot higher than was necessary, and felt for the doorposts with his hands, and as he did so there was an air of perplexity about his whole figure as though he were in somebody else's house, or were drunk for the first time in his life and were now abandoning himself with surprise to the new sensation. A broad streak of light stretched across the bookcase on one wall of the study; this light came together with the close, heavy smell of carbolic and ether from the door into the bedroom, which stood a little way open…. The doctor sank into a low chair in front of the table; for a minute he stared drowsily at his books, which lay with the light on them, then got up and went into the bedroom.

Here in the bedroom reigned a dead silence. Everything to the smallest detail was eloquent of the storm that had been passed through, of exhaustion, and everything was at rest. A candle standing among a crowd of bottles, boxes, and pots on a stool and a big lamp on the chest of drawers threw a brilliant light over all the room. On the bed under the window lay a boy with open eyes and a look of wonder on his face. He did not move, but his open eyes seemed every moment growing darker and sinking further into his head. The mother was kneeling by the bed with her arms on his body and her head hidden in the bedclothes. Like the child, she did not stir; but what throbbing life was suggested in the curves of her body and in her arms! She leaned against the bed with all her being, pressing against it greedily with all her might, as though she were afraid of disturbing the peaceful and comfortable attitude she had found at last for her exhausted body. The bedclothes, the rags and bowls, the splashes of water on the floor, the little paint–brushes and spoons thrown down here and there, the white bottle of lime water, the very air, heavy and stifling—were all hushed and seemed plunged in repose.

The doctor stopped close to his wife, thrust his hands in his trouser pockets, and slanting his head on one side fixed his eyes on his son. His face bore an expression of indifference, and only from the drops that glittered on his beard it could be seen that he had just been crying.

That repellent horror which is thought of when we speak of death was absent from the room. In the numbness of everything, in the mother's attitude, in the indifference on the doctor's face there was something that attracted and touched the heart, that subtle, almost elusive beauty of human sorrow which men will not for a long time learn to understand and describe, and which it seems only music can convey. There was a feeling of beauty, too, in the austere stillness. Kirilov and his wife were silent and not weeping, as though besides the bitterness of their loss they were conscious, too, of all the tragedy of their position; just as once their youth had passed away, so now together with this boy their right to have children had gone for ever to all eternity! The doctor was forty–four, his hair was grey and he looked like an old man; his faded and invalid wife was thirty–five. Andrey was not merely the only child, but also the last child.

In contrast to his wife the doctor belonged to the class of people who at times of spiritual suffering feel a craving for movement. After standing for five minutes by his wife, he walked, raising his right foot high, from the bedroom into a little room which was half filled up by a big sofa; from there he went into the kitchen. After wandering by the stove and the cook's bed he bent down and went by a little door into the passage.

There he saw again the white scarf and the white face.

"At last," sighed Abogin, reaching towards the door–handle. "Let us go, please."

The doctor started, glanced at him, and remembered….

"Why, I have told you already that I can't go!" he said, growing more animated. "How strange!"

"Doctor, I am not a stone, I fully understand your position … I feel for you," Abogin said in an imploring voice, laying his hand on his scarf. "But I am not asking you for myself. My wife is dying. If you had heard that cry, if you had seen her face, you would understand my pertinacity. My God, I thought you had gone to get ready! Doctor, time is precious. Let us go, I entreat you."

"I cannot go," said Kirilov emphatically and he took a step into the drawing–room.

Abogin followed him and caught hold of his sleeve.

"You are in sorrow, I understand. But I'm not asking you to a case of toothache, or to a consultation, but to save a human life!" he went on entreating like a beggar. "Life comes before any personal sorrow! Come, I ask for courage, for heroism! For the love of humanity!"

"Humanity—that cuts both ways," Kirilov said irritably. "In the name of humanity I beg you not to take me. And how queer it is, really! I can hardly stand and you talk to me about humanity! I am fit for nothing just now…. Nothing will induce me to go, and I can't leave my wife alone. No, no…"

Kirilov waved his hands and staggered back.

"And … and don't ask me," he went on in a tone of alarm. "Excuse me. By No. XIII of the regulations I am obliged to go and you have the right to drag me by my collar … drag me if you like, but … I am not fit … I can't even speak … excuse me."

"There is no need to take that tone to me, doctor!" said Abogin, again taking the doctor by his sleeve. "What do I care about No. XIII! To force you against your will I have no right whatever. If you will, come; if you will not—God forgive you; but I am not appealing to your will, but to your feelings. A young woman is dying. You were just speaking of the death of your son. Who should understand my horror if not you?"

Abogin's voice quivered with emotion; that quiver and his tone were far more persuasive than his words. Abogin was sincere, but it was remarkable that whatever he said his words sounded stilted, soulless, and inappropriately flowery, and even seemed an outrage on the atmosphere of the doctor's home and on the woman who was somewhere dying. He felt this himself, and so, afraid of not being understood, did his utmost to put softness and tenderness into his voice so that the sincerity of his tone might prevail if his words did not. As a rule, however fine and deep a