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unknown origin, it accretes additional bureaucratic investigatory mojo until by various pathways it lands on the desk of one of our overworked analysts. They then bump it up the management chain and/or play cubicle ping-pong with it, because they’re too busy working to keep tabs on the Bloody Skull Cult or cases of bovine demonic possession in Norfolk or something equally important. Finally, in an attempt to make the blessed thing go away, a manager finds a spare human resource and details the poor bastard to wade through the reports, interview the culprits, and then tread in cow shit while probing the farm cesspool for the spoor of alien pre-endoscopy laxatives. Nineteen times out of twenty it’s an annoying paper chase followed by a day spent typing up a report that nobody will read. One time in twenty the affair is enlivened by you falling head-first into the cesspit. And the worst part of it is knowing that while you’re off on a wild goose chase so you can close the books on the report, your everyday workload is quietly piling up in your in-tray and overflowing onto your desk…

Which is why, as I get back to my office, close the door, light up the DO NOT DISTURB sign, and open the folder Iris gave me, I start to swear quietly.

What the hell do the love letters of that old fraud H. P. Lovecraft have to do with the Department for Environment, Food and Rural Affairs?

Dear Robert,

I received your letter with, I must confess, some trepidation, not to mention mixed feelings of hope & despair tempered by the forlorn hope that the uncanny and unpleasant history of my own investigations & their regrettable outcome will serve to dampen the ardor with which you pursue your studies. I know full well to my great & abiding dismay the compulsive fascination that the eldritch & uncanny may exert upon the imagination of an introspective & sensitive scholar. I cannot help but be aware that you are already cognizant of the horrible risks to which your sanity will be exposed. What you may not be aware of is the physical damage that may fall upon you pursuant to these studies. It took my grandfather’s life; it drove my father to seek redress by means of such vile & unmentionable acts that I cannot bring myself to record their nature for posterity—but suffice to say that his life was shortened thereby—and it has been grievously injurious to my own health & fitness for marriage. There, I say it baldly; but for the blessed Sonia I might have been a mortal wreck for my entire life. It was only by her grace & infinite patience that I regained some modicum of that which is the birthright of all the sons of Adam, and though we are parted she bears my guilty secret discreetly.

I confess that I was not always thus. My childhood was far from unhappy. I grew up an accident-prone but happy youth, living with my mother & my aunts in reduced but nevertheless genteel circumstances in Providence town. At first I studied the classics: Greek & Roman & Egyptian were my mother tongues, & all the rhapsodies of the poetic calling were mine! My grandfather’s library was the orchid whose nectar I sipped, sweeter by far than any wine. He had amassed a considerable archive over the course of many years of travel inflicted on him by the base necessity of trade—I must interject at this juncture that I cannot stress too highly the need to shun such distractions as commerce if one is to reach one’s full potential as a scholar by traversal of the path you propose to embark upon—and the fruits of his sorrows fermented into a heady vintage in time for my youthful excursions into his cellar to broach the casks of wisdom. However, I came to recognize a bitter truth as I assayed the dregs of his collection: my kindred souls are as the dust of the church-yard. As with Poe so am I one with the dead, for we persons of rarefied spirit & talent tread but seldom upon the boards of earth & are summoned all too soon to the exit eternal.

Now, as to the qualities of the MS submitted with your latest missive for my opinion, I must thank you most kindly for granting me the opportunity to review the work at this early stage—

I go home nursing a headache and a not inconsiderable sense of resentment at, variously: Iris for tricking me into this job; DEFRA for asking for back-up in the first place; and Howard Phillips Lovecraft of Providence, Rhode Island, for cultivating a florid and overblown prose style that covered the entire spectrum from purple to ultraviolet and took sixteen volumes of interminable epistles to get to the point—whatever point it was that constituted the meat of the EQUESTRIAN RED SIRLOIN dossier, which point I had not yet ascertained despite asymptotically approaching it in the course of reading what felt like reams & volumes of the aforementioned purple prose—which is infectious.

To cap it all, my fragrant wife Mo is away on some sort of assignment she can’t talk about. All I know is that something’s come up in Blackpool that requires her particular cross-section of very expensive talents, so I’m on my own tonight. (Combat epistemologists and violin soloists both are underpaid, but take many years and no little innate talent to train. Consequently, the demands on her time are many.) So I kick back with a bottle of passable cabernet sauvignon and a DVD—in this case, plucked at random from the watch-this-later shelf. It turns out to be a Channel Four production of Equus, by Peter Shaffer. Which I am hitherto unfamiliar with (don’t laugh: my background veers towards the distaff side of the Two Cultures) and which really doesn’t mix well with a bottle of red wine and H. P. Lovecraft’s ghastly prose. So I spend half the night tossing and turning to visions of melting spindly-legged Dali horses with gouged eye sockets—I’ve got to stop the eyeballs rolling away, for some reason—with the skin-crawling sense that something unspeakable is watching me from the back of the stables. This is bad enough that I then spend the second half of the night sitting at the kitchen table in my pajamas, brute-forcing my way through my half of my annual ideological self-criticism session—that is, the self-assessed goals and objectives portion of my performance appraisal—because the crawling horrors of human resources are far less scary than the gory movie playing out behind my eyeballs.

(This is why many of my co-workers eventually start taking work home—at least, the non-classified bits. Bureaucracy is a bulwark of comforting routine in the face of the things you really don’t want to think about too hard by dead of night. Not to mention being a safer tranquilizer than drink or drugs.)

In my experience it’s best to go on-site and nail these bullshit jobs immediately, rather than wasting too much time on over-planning. This one is, when all is said and done, what our trans-Atlantic cousins call “a snipe hunt.” I’m hoping to nail it shut—probably a little girl with a strap-on plastic horn for her pony—and be home in time for tea. So the next morning I leave home and head straight for London Bridge station rather than going in to the office. I fight my way upstream through the onrushing stream of suits and catch the commuter train that carried them into London on its return journey, rattling and mostly empty on its run out to the dormitory towns of East Sussex. It’s just me and the early birds taking the cheapskate stopping service to Crapwick to avoid the hordes of holiday-makers (and pickpockets) at Thiefrow. And that’s the way I like it.

I have a name and destination in the Request for Support memo Iris gave me: we’re to investigate one G. Edgebaston, of Edgebaston Farm Livery Stables, near Hove. But first I’m supposed to meet a Mr. Scullery at a local DEFRA office in East Grinstead. Which is on the London to Brighton line, but it’ll take me a good hour of start-stop commuter rail and then a taxi ride of indeterminate length to get there. So I take a deep breath and dive back into the regrettably deathless prose of the Prophet of Providence.


Listen, I know what you’re thinking.

You’re probably thinking WHAT THE HELL, H. P. LOVECRAFT? And wondering why I’m reading his private letters (most certainly not found in any of the collections so lovingly curated by Lovecraft scholars over the years, from August Derleth to S. T. Joshi), in a file so mind-numbingly trivial that its leakage on the front page of a major tabloid newspaper would be greeted with snores.

This is the Laundry, after all, and we write memos and file expense reports every day that deal with gibbering horrors, things that go bump in the night, the lunatical followers of N’yar lath-Hotep, the worshippers of the Sleeper in the Pyramid, alien undersea and lithospheric