Ancient civilizations and History of Europe [Encyclopaedia Britannica] (fb2) читать постранично, страница - 2

documents were turned out in quantities, and there are often many copies of a single text. The pantheon consisted of more than 1,000 deities, even though many divine names may apply to different manifestations of a single god. During 3,000 years of Mesopotamian civilization, each century gave birth to the next. Thus classical Sumerian civilization influenced that of the Akkadians, and the Ur III empire, which itself represented a Sumero-Akkadian synthesis, exercised its influence on the first quarter of the 2nd millennium bce. With the Hittites, large areas of Anatolia were infused with the culture of Mesopotamia from 1700 bce onward. Contacts, via Mari, with Ebla in Syria, some 30 miles south of Aleppo, go back to the 24th century bce, so that links between Syrian and Palestinian scribal schools and Babylonian civilization during the Amarna period (14th century bce) may have had much older predecessors. At any rate, the similarity of certain themes in cuneiform literature and the Hebrew Bible, such as the story of the Flood or the motif of the righteous sufferer, is due to such early contacts and not to direct borrowing.

The achievements of ancient Mesopotamia

The world of mathematics and astronomy owes much to the Babylonians—for instance, the sexagesimal system for the calculation of time and angles, which is still practical because of the multiple divisibility of the number 60; the Greek day of 12 “double-hours”; and the zodiac and its signs. In many cases, however, the origins and routes of borrowings are obscure, as in the problem of the survival of ancient Mesopotamian legal theory.

The achievement of the civilization itself may be expressed in terms of its best points—moral, aesthetic, scientific, and, not least, literary. Legal theory flourished and was sophisticated early on, being expressed in several collections of legal decisions, the so-called codes, of which the best-known is the Code of Hammurabi. Throughout these codes recurs the concern of the ruler for the weak, the widow, and the orphan—even if, sometimes, the phrases were regrettably only literary clichés. The aesthetics of art are too much governed by subjective values to be assessed in absolute terms, yet certain peaks stand out above the rest, notably the art of Uruk IV, the seal engraving of the Akkad period, and the relief sculpture of Ashurbanipal. Nonetheless, there is nothing in Mesopotamia to match the sophistication of Egyptian art. Science the Mesopotamians had, of a kind, though not in the sense of Greek science. From its beginnings in Sumer before the middle of the 3rd millennium bce, Mesopotamian science was characterized by endless, meticulous enumeration and ordering into columns and series, with the ultimate ideal of including all things in the world but without the wish or ability to synthesize and reduce the material to a system. Not a single general scientific law has been found, and only rarely has the use of analogy been found. Nevertheless, it remains a highly commendable achievement that Pythagoras’ law (that the sum of the squares on the two shorter sides of a right-angled triangle equals the square on the longest side), even though it was never formulated, was being applied as early as the 18th century bce. Technical accomplishments were perfected in the building of the ziggurats (temple towers resembling pyramids), with their huge bulk, and in irrigation, both in practical execution and in theoretical calculations. At the beginning of the 3rd millennium bce, an artificial stone often regarded as a forerunner of concrete was in use at Uruk (160 miles south-southeast of modern Baghdad), but the secret of its manufacture apparently was lost in subsequent years.

Ziggurat at Ur (modern Tall al-Muqayyar, Iraq).Spectrum Colour Library/Heritage-Images/Imagestate

Writing pervaded all aspects of life and gave rise to a highly developed bureaucracy—one of the most tenacious legacies of the ancient Middle East. Remarkable organizing ability was required to administer huge estates, in which, under the 3rd dynasty of Ur, for example, it was not unusual to prepare accounts for thousands of cattle or tens of thousands of bundles of reeds. Similar figures are attested at Ebla, three centuries earlier.

Above all, the literature of Mesopotamia is one of its finest cultural achievements. Though there are many modern anthologies and chrestomathies (compilations of useful learning), with translations and paraphrases of Mesopotamian literature, as well as attempts to write its history, it cannot truly be said that “cuneiform literature” has been resurrected to the extent that it deserves. There are partly material reasons for this: many clay tablets survive only in a fragmentary condition, and duplicates that would restore the texts have not yet been discovered, so that there are still large gaps. A further reason is the inadequate knowledge of the languages: insufficient acquaintance with the vocabulary and, in Sumerian, difficulties with the grammar. Consequently, another generation of Assyriologists will pass before the great myths, epics, lamentations, hymns, “law codes,” wisdom literature, and pedagogical treatises can be presented in such a way that modern readers can fully appreciate the high level of literary creativity of those times.

The classical and medieval views of Mesopotamia; its rediscovery in modern times

Before the first excavations in Mesopotamia, about 1840, nearly 2,000 years had passed during which knowledge of the ancient Middle East was derived from three sources only: the Bible, Greek and Roman authors, and the excerpts from the writings of Berosus, a Babylonian who wrote in Greek. In 1800 very little more was known than in 800 ce, although these sources had served to stir the imagination of poets and artists, down to Sardanapalus (1821) by the 19th-century English poet Lord Byron.

Apart from the building of the Tower of Babel, the Hebrew Bible mentions Mesopotamia only in those historical contexts in which the kings of Assyria and Babylonia affected the course of events in Israel and Judah: in particular Tiglath-pileser III, Shalmaneser V, and Sennacherib, with their policy of deportation, and the Babylonian Exile introduced by Nebuchadrezzar II. Of the Greeks, Herodotus of Halicarnassus (5th century bce, a contemporary of Xerxes I and Artaxerxes I) was the first to report on “Babylon and the rest of Assyria”; at that date the Assyrian empire had been overthrown for more than 100 years. The Athenian Xenophon took part in an expedition (during 401–399 bce) of Greek mercenaries who crossed Anatolia, made their way down the Euphrates as far as the vicinity of Baghdad, and returned up the Tigris after the famous Battle of Cunaxa. In his Cyropaedia Xenophon describes the final struggle between Cyrus II and the Neo-Babylonian empire. Later, the Greeks adopted all kinds of fabulous tales about King Ninus, Queen Semiramis, and King Sardanapalus. These stories are described mainly in the historical work of Diodorus Siculus (1st century bce), who based them on the reports of a Greek physician, Ctesias (405–359 bce). Herodotus saw Babylon with his own eyes, and Xenophon gave an account of travels and battles. All later historians, however, wrote at second or third hand, with one exception, Berosus (born c. 340 bce), who emigrated at an advanced age to the Aegean island of Cos, where he is said to have composed the three books of the Babylōniaka. Unfortunately, only extracts from them survive, prepared by one Alexander Polyhistor (1st century bce), who, in his turn, served as a source for the Church Father Eusebius (died 342 ce). Berosus derided the “Greek historians” who had so distorted the history of his country. He knew, for example, that it was not Semiramis who founded the city of Babylon, but he was himself the prisoner of his own environment and cannot have known more about the history of his land than was known in Babylonia itself in the 4th century bce.

Berosus’ first book dealt with the beginnings of the world and with a myth of a composite being, Oannes, half fish, half man, who came ashore in Babylonia at a time when men still lived like the wild beasts. Oannes taught them the essentials of civilization: writing, the arts, law, agriculture, surveying, and architecture. The name Oannes must have been derived from the cuneiform U’anna (Sumerian) or Umanna (Akkadian), a second name of the mythical figure Adapa, the bringer of civilization. The second book of Berosus contained the Babylonian king list from the beginning to King Nabonassar